![]() Stillman does interesting things with all of them. The characters include two young women in publishing (Chloe Sevigny and Kate Beckinsale) who find a flat together, their roommate (Tara Subkoff), an employee at the club where they hang out (the always interesting Chris Eigeman), a fledgling ad executive (Mackenzie Astin), a junior assistant district attorney (Matt Keeslar), and a lawyer (Robert Sean Leonard). ![]() Fortunately, this time around the Ivy League characters project less of a glib sense of entitlement, making them more fun to watch, and Stillman himself gives more evidence of watching rather than simply listening. The Last Days of Disco, from director Whit Stillman, is a cleverly comic look at the early 1980s Manhattan party scene from the vantage point of the late. It’s remarkable how over the course of just three nightlife features - Metropolitan, Barcelona, and this comedy set in the early 1980s - writer-director Whit Stillman has created a form of mannerist dialogue as recognizable as David Mamet’s, a kind of self-conscious, upper-crust Manhattan gab reeking of hairsplitting cultural distinctions. The Last Days of Disco is a feast for clever, loaded dialogue, delivered with zip by its fantastic cast, chief among them Chloe Sevigny and the divine Kate. The movie is set in the waning days of disco, a party that was about to end for all.(By the way, we make fun of John Travolta for all the bad movies he has made while Olivia Newton-John is still cool because she has been on "Glee" twice.) I could have tolerated the movie's sour tone if it had not been so excessively talky on every single subject under the sun and there had been more of a plot which sneaks in just under the wire.From the Chicago Reader (May 13, 1998). Cast: Chlo Sevigny, Kate Beckinsale, Chris Eigeman, Mackenzie Astin, Matt Keeslar, Robert Sean Leonard, Tara Subkoff, Matthew Ross. Two young women (Chlo Sevigny, Kate Beckinsale) and their friends spend spare time at an exclusive. Galaxie presents an afterparty disco to follow the MoMA screening and Q&A of Whit Stilmans The Last Days of Disco featuring Chlo Sevigny, Kate Beckinsale. Writer-director-producer Whit Stillman tries in vain with "The Last Days of Disco" to have something intelligent to say about the transition stage from college to first job, as these characters are in the process of moving on from friends they barely like to spouses they tolerate just enough to not kill them in their sleep. While Whit Stillmans The Last Days of Disco, and his other 90s films, Metropolitan (1990) and Barcelona (1994), would seem on the surface to be yet. The Last Days of Disco shows a very strange set of relationships that unfortunately are true to life since a lot of times we tend to make friends with. At the end of the night, Alice goes home with Tom(Robert Sean Leonard). This late-nineties American independent treasure follows the romantic and professional misadventures of a group of twenty-something college graduates navigating. Parents need to know that The Last Days of Disco is a 1998 coming-of-age film following the lives of a group of post-Ivy League friends who frequent an NYC. John Whitney Whit Stillman (born January 25, 1952) is an American writer-director known for his 1990 film Metropolitan, which earned him a nomination for the. ![]() Des also thinks he is gay after watching an episode of Wild Kingdom.(Not "Animal Kingdom" which I'll be reviewing next.) Regardless, Josh(Matt Keeslar, of "The Middleman"), an ADA, thinks the whole scene is cool. The Last Days of Disco (1998) Full Cast & Crew See agents for this cast & crew on IMDbPro Directed by Whit Stillman Writing Credits Whit Stillman. Des(Chris Eigeman), a manager at the club, is under pressure not to admit Jimmy(Mackenzie Astin) because he is in advertising and therefore scum. In "The Last Days of Disco," Alice(Chloe Sevigny) and Charlotte(Kate Beckinsale) are two comely editorial assistants who are admitted into a trendy club every night on looks alone. The Last Days of Disco is a 1998 American comedy-drama film written and directed by Whit Stillman, and loosely based on his travels and experiences in various nightclubs in Manhattan, including Studio 54. Don't look here for the drug and sex-crazed boogie nights of the disco era.
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